Cool Edit Pro DirectX plugins were likely meant for DirectX 8, which seems like it was the directx version for Windows XP back in 2001-2004 (circa). If it still doesn't appear, click 'Effects,' click 'Add/Remove VST Directory' and manually point Cool Edit Pro to the location on your computer where the Auto-Tune plugin resides.

If Auto-Tune doesn't appear on your list of plugins, restart Cool Edit Pro to refresh your list of plugins. Whether to save studio and editing time, ease the frustration of endless retakes, save that otherwise once-in-a-lifetime performance, or create the Auto-Tune Vocal Effect, Auto-Tune is the overwhelming tool of choice. This mode gives complete control over the correction or modification of the most elaborate pitch and rhythmic gestures.Īuto-Tune is used daily by thousands of audio professionals around the world. A Retune Speed control lets you match the retune rate to virtually any performance style as well as create the iconic Auto-Tune Vocal Effect.įor meticulous pitch and time editing, Auto-Tune 7's Graphical Mode displays the performance's detected pitch envelope and allows you to modify pitch and timing with a variety of easy-to-use graphics tools. All with a user-interface that is a model of clarity, speed and ease-of-use.Īnd now, with its new-from-the-ground-up time manipulation capabilities, Auto-Tune 7 represents the most substantial advancement in functionality since Auto-Tune's original introduction in 1997.įor most common pitch problems, Auto-Tune 7's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. Hailed at its introduction as a 'holy grail of recording,' by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation and timing problems in vocals or solo instruments, without distortion or artifacts, while preserving all of the expressive nuance of the original performance - with audio quality so pristine that the only difference between what goes in and what comes out is the intonation and timing.

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